The case studies are Fukasaku Kinji’s film Battles without Honor or Humanity (1973), and Kojima Hideo’s videogame Metal Gear Solid (1998). This essay examines how photography and news footage of the Hiroshima bomb have been used as a backdrop for the action genre in Japanese film and videogames. Furthermore, the principled approach taken opens up avenues for further research.

Since crossfading is not always appropriate, being able to use generated transitions gives composers another tool in their toolbox. The results indicate that the generated transitions perform as well as crossfading, a technique commonly used in the industry. This novel approach was evaluated in a bespoke video game environment, where participants navigated through several pairs of different game environments and rated the resulting musical transitions. While transitions in games normally occur over a zone boundary, the algorithm presented in this dissertation takes place over a transition region, giving the generated music enough time to transition. This algorithm allowed the seamless generation of music that could serve as a transition between two composed pieces of music. The obtained results led to a novel approach to musical transitions in video games by investigating the use of a multiple viewpoint system, with viewpoints being modelled using Markov models. This is done based on several features identified as being important for successful transitions. To investigate how effective each transition technique is, this dissertation empirically evaluates each technique in a study informed by music psychology. However, while several claims are made about their effectiveness (or lack thereof), none of these have been experimentally tested. Several transition techniques have been used in industry such as the abrupt cut transition, crossfading, horizontal resequencing and vertical reorchestration among others. This quick change in music can often sound jarring if the two pieces are very different from each other. In video games, music must often change quickly from one piece to another due to player interaction, such as when moving between different areas.

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